WIRED

In various conversations this piece has become known as Wired Thomas. It was never concieved as a portrait of a living person, and never really intended as a deliberate artwork, but that doesn't preclude it from being a slaeable, genuine art commodity. From it's completion I have been very satisfied with it's simplicity, and it's a shame to see it go. It has inspired a new series however, more of the simple visual floating expressions that depict little moments of everyday and not so everyday. I think I will call the series Nick Hersey's Brown Jumpers, though none of them have v-necks in.